January 11th, 2013
OEB’s 5 SXSW Qs – Gliss
 
Hometown: Los Angeles, CA
OEB 2013 SXSW Review
 
In about two weeks, Gliss’ latest record, Langsom Dans, is set to be released and Vocalist/bassist Victoria Cecilia took some time to preview the experimental approach to writing and recording the record with OEB as well as their plans for 2013, including a trip to promote the record in Asia.
 
While so many artists go for a huge sound, Gliss finds their strength in ambience and the space between the notes.  Why such an introspective sound?
The way this new album came together was writing the songs on acoustic guitar or piano, a very different approach from the last album we released. We would record a song with just vocal and guitar, then we would listen to that for awhile, delete the guitar, and record synths and come up with beats. This was a very long process, ‘cos we tried a million different ways before settling on the final take. It was a way of pushing ourselves to experiment with our sound. It is easy to find “a sound” and reproduce it on every single album. We didn’t want to get stuck in that. 
 
For rock music, there are a great deal of emotions you share on record.  How do you pull together the emotional elements through musical hooks?
The way I experience it is, first I write the song, and I do write about personal stuff. I am not able to write a song without having all these emotions built up. I guess you can compare it to blowing air into a balloon. I collect emotions until I am ready to explode. Then I sit down and write the song. 
After it’s written and demo’ed, then I step away for a while, until I feel more detached. Then I listen to it a few times and start editing or re-arranging, or maybe I hear a vocal line that’s not very exciting anymore, and I replace it. It’s like listening as a different person. That’s the best way of describing the process, I think.
 
You’re returning to SXSW for the second year in a row.  How do you view the conference beyond a normal run of shows?
SXSW is overwhelming to me. I would be lying if I said I am looking forward to it. But it’s great for connecting with business people. 
 
Do you have any appearances lined up for SXSW?  What’s on deck for Gliss in 2013?
In 2013 we have out new album coming out “Langsom Dans” on Modern Outsider. It’s out January 22nd. Then we have a residency in Los Angeles in February. Our album release show will be Feb 4th, and we have Pyyramids (Tim from OK GO), Xu Xu Fang and Lonely Trees on that night. They are all great people and incredible musicians. Really looking forward to that. In March, we are heading out to Denver for a festival called “Gathering of the Clouds”, and since that is just a week before SXSW it will turn into a US tour. 
After the US dates, we will be heading over to Europe again. We love playing over there - I know we will have a lot of fun. Also, this spring our album will be released in Asia, and we will be going over there as well. So it will be a busy year, and a fun year!
 
Have you had a chance to check out the band list for SXSW?  Any acts you are looking forward to catching yourself?
I am from Denmark, so I am always interested in seeing what kind of bands they are sending to SXSW. There is a band called MØthat I would check out. Here is their video.

OEB’s 5 SXSW Qs – Gliss

 

Hometown: Los Angeles, CA

OEB 2013 SXSW Review

 

In about two weeks, Gliss’ latest record, Langsom Dans, is set to be released and Vocalist/bassist Victoria Cecilia took some time to preview the experimental approach to writing and recording the record with OEB as well as their plans for 2013, including a trip to promote the record in Asia.

 

While so many artists go for a huge sound, Gliss finds their strength in ambience and the space between the notes.  Why such an introspective sound?

The way this new album came together was writing the songs on acoustic guitar or piano, a very different approach from the last album we released. We would record a song with just vocal and guitar, then we would listen to that for awhile, delete the guitar, and record synths and come up with beats. This was a very long process, ‘cos we tried a million different ways before settling on the final take. It was a way of pushing ourselves to experiment with our sound. It is easy to find “a sound” and reproduce it on every single album. We didn’t want to get stuck in that. 

 

For rock music, there are a great deal of emotions you share on record.  How do you pull together the emotional elements through musical hooks?

The way I experience it is, first I write the song, and I do write about personal stuff. I am not able to write a song without having all these emotions built up. I guess you can compare it to blowing air into a balloon. I collect emotions until I am ready to explode. Then I sit down and write the song. 

After it’s written and demo’ed, then I step away for a while, until I feel more detached. Then I listen to it a few times and start editing or re-arranging, or maybe I hear a vocal line that’s not very exciting anymore, and I replace it. It’s like listening as a different person. That’s the best way of describing the process, I think.

 

You’re returning to SXSW for the second year in a row.  How do you view the conference beyond a normal run of shows?

SXSW is overwhelming to me. I would be lying if I said I am looking forward to it. But it’s great for connecting with business people. 

 

Do you have any appearances lined up for SXSW?  What’s on deck for Gliss in 2013?

In 2013 we have out new album coming out “Langsom Dans” on Modern Outsider. It’s out January 22nd. Then we have a residency in Los Angeles in February. Our album release show will be Feb 4th, and we have Pyyramids (Tim from OK GO), Xu Xu Fang and Lonely Trees on that night. They are all great people and incredible musicians. Really looking forward to that. In March, we are heading out to Denver for a festival called “Gathering of the Clouds”, and since that is just a week before SXSW it will turn into a US tour. 

After the US dates, we will be heading over to Europe again. We love playing over there - I know we will have a lot of fun. Also, this spring our album will be released in Asia, and we will be going over there as well. So it will be a busy year, and a fun year!

 

Have you had a chance to check out the band list for SXSW?  Any acts you are looking forward to catching yourself?

I am from Denmark, so I am always interested in seeing what kind of bands they are sending to SXSW. There is a band called that I would check out. Here is their video.

November 26th, 2012

Gliss – “Weight of Love”


Pairs Well With…Portishead, The xx, Jesus and Mary Chain


We first caught wind of Gliss through last year’s SXSW project and I’ve grown to embrace there sound even more since then.  Gliss recently released an excellent EP entitled Hunting that highlights the band’s commitment to ambience and pop’s collision.

2012 Review: Gliss has flown under my radar for the past five years, but I’m glad I’ve been given a chance to catch up for next year’s SXSW.  Combining Strokes-like British rock with shoegaze elements, this Los Angeles band carries a great vibe with some pretty engaging songwriting.  The band draws back the semi-noise rock bands of the 90s like Jesus and Mary Chain, but they maintain a current sound.  This is just good, emotional rock and roll that surely translates great to the stage. Gliss has recently been reporting back from the studio as they are working on a third LP, revealing an embrace of experimental pop influences to some spacey and blissed out results.  Check out the early single, “A to B”, for a taste of what’s to come.

SXSW 2013 Spreadsheet 9:

Tonight’s set is spearheaded by four artists representing all sorts of corners of the rock genre.  Highlights:

Jenn Grant (9) - She’s a bit of chameleon throughout her catalog, exploring upbeat pop, minimalist folk and every tone in between.
Gliss (8) - Gliss recently released an excellent EP entitled Hunting that highlights the band’s commitment to ambience and pop’s collision.
Haim (8) - Self-described as a mix of 90s R&B and folk music, Haim is a great representation of the Laurel Canyon/Los Angeles dichotomy going on in California music right now.
Ezra Furman (7) - Ezra Furman is receiving his third OEB SXSW write-up in as many years, certainly a first and a maybe an only for the rest of the project.  Furman returns to Austin next year in support of 2012’s mellower effort The Year of No Returning. 

SXSW 2013 Spreadsheet 9:


Tonight’s set is spearheaded by four artists representing all sorts of corners of the rock genre.  Highlights:


Jenn Grant (9) - She’s a bit of chameleon throughout her catalog, exploring upbeat pop, minimalist folk and every tone in between.

Gliss (8) - Gliss recently released an excellent EP entitled Hunting that highlights the band’s commitment to ambience and pop’s collision.

Haim (8) - Self-described as a mix of 90s R&B and folk music, Haim is a great representation of the Laurel Canyon/Los Angeles dichotomy going on in California music right now.

Ezra Furman (7) - Ezra Furman is receiving his third OEB SXSW write-up in as many years, certainly a first and a maybe an only for the rest of the project.  Furman returns to Austin next year in support of 2012’s mellower effort The Year of No Returning. 

December 21st, 2011

Gliss – “A to B”

Gliss has flown under my radar for the past five years, but I’m glad I’ve been given a chance to catch up for next year’s SXSW.  Combining Strokes-like British rock with shoegaze elements, this Los Angeles band carries a great vibe with some pretty engaging songwriting.  The band draws back the semi-noise rock bands of the 90s like Jesus and Mary Chain, but they maintain a current sound.  This is just good, emotional rock and roll that surely translates great to the stage. Gliss has recently been reporting back from the studio as they are working on a third LP, revealing an embrace of experimental pop influences to some spacey and blissed out results.  Check out the early single, “A to B”, for a taste of what’s to come.

SXSW 2012 Spreadsheet 27:

Killer set tonight - no band under a “4” and a bunch of strong and diverse highlights:

Great Lake Swimmers (10): Great Lake Swimmers are based equally in folk and Americana stylings, wrapping those influences around nicely crafted pop songs. 
Gold Motel (8): This is pure pop-rock, but Morgan brings a slinky yet confident vibe that elevates the sound.  The songs have a 50’s rock sound unpinning a modern rock gleam. 
Gliss (7): Combining Strokes-like British rock with shoegaze elements, this Los Angeles band carries a great vibe with some pretty engaging songwriting.
Half Moon Run (7): Half Moon Run are a young, folk-based band from Montreal with a penchant for incorporating indie rock elements into their tunes. 
The Good Natured (5): A band true to its moniker, this British outfit features electronic rock and poppy, borderline mainstream vocal hooks from 20 year-old Sarah McIntosh.

SXSW 2012 Spreadsheet 27:


Killer set tonight - no band under a “4” and a bunch of strong and diverse highlights:


Great Lake Swimmers (10): Great Lake Swimmers are based equally in folk and Americana stylings, wrapping those influences around nicely crafted pop songs. 

Gold Motel (8): This is pure pop-rock, but Morgan brings a slinky yet confident vibe that elevates the sound.  The songs have a 50’s rock sound unpinning a modern rock gleam. 

Gliss (7): Combining Strokes-like British rock with shoegaze elements, this Los Angeles band carries a great vibe with some pretty engaging songwriting.

Half Moon Run (7): Half Moon Run are a young, folk-based band from Montreal with a penchant for incorporating indie rock elements into their tunes. 

The Good Natured (5)A band true to its moniker, this British outfit features electronic rock and poppy, borderline mainstream vocal hooks from 20 year-old Sarah McIntosh.