January 12th, 2013
OEB’s 5 SXSW Qs – Tim Easton
 
Hometown: Nashville, TN
OEB 2013 SXSW Review
 
Tim Easton is going to have a pretty full dance card at SXSW.  In addition to a new record, Easton has a retrospective and two collaborative records on the way: a duo with Megan Palmer called Out Of Our Tree and a record with Leeroy Stagger and Evan Phillips being recorded as I type this.  Easton shared some updates on his latest offerings with OEB for what is sure to be a busy trip through Austin.
 
Much of SXSW showcasers are new artists looking to ‘break out’.  As a veteran of the conference, how has SXSW changed for you as you move along in your career?   
It’s a reunion of sorts for sure.  Basically, I’m coming down to celebrate a body of work already completed (Before The Revolution, on New West) and also show that I have a new record coming out, and that I’m working with Megan Palmer (violin) in a side project called Out Of Our Tree, who will be playing a few parties.
 
Your songs range from quiet, acoustic material to gritty burners.  What draws you to both sides of this musical spectrum?   
It’s all rock and roll right?  Most folks that I admire do both.  The Beatles, The Stones…they had beautiful acoustic ballads and also heavy rocking tunes.  It’s nothing new but I can see how it might confuse some people.  Basically, I’m a folky at heart, but I want to play that rock and roll too of course.  It’s tough to afford a band on the road, however, so luckily I can do both.
 
What’s the latest on your project with Evan Phillips and Leeroy Stagger (ESP)?  Given your close connection established with fans through your journal on your website, how has the Kickstarter campaign been going? 
I’m writing you from Leeroy’s couch in Lethbridge, Alberta.  We started our new album today.  Thanks to Kickstarter, this new album with Leeroy and Evan is going to be made.  We’ve got some great songs to record over the next ten days.
 
What’s on deck for you at SXSW this year?  Is there any new solo material in the works and what direction has your songwriting been facing lately?  
I’d like to have a trio with upright bass, or it could be Megan Palmer(violin) and I as a duo.  
Most certainly there are new songs.  I brought six new ones for the ESP sessions but we’ll narrow that down to three probably.  I live in Nashville now everybody from your mailman to your barista is writing tunes.  You gotta keep up, so I’m writing all the time now.  Short stories too.  With songs, I have been all over the place.  Folky stuff and some traditional country-or bluegrass, as well.  I’ve been trying to simplify my songwriting and go the Woody Guthrie route.  
 
What you had an opportunity to check out the SXSW band list?  Any artists you are excited to catch yourself?    
I actually only know of all the Nashville bands that are going.  Caitlin Rose is great.  As is Denny and The Jets.  I’m more excited to see a band that I’ve never heard of before that is going to blow my mind and inspire me to work harder.  I don’t go down to hang with the same scene every year, although we manage to cross paths.

OEB’s 5 SXSW Qs – Tim Easton

 

Hometown: Nashville, TN

OEB 2013 SXSW Review

 

Tim Easton is going to have a pretty full dance card at SXSW.  In addition to a new record, Easton has a retrospective and two collaborative records on the way: a duo with Megan Palmer called Out Of Our Tree and a record with Leeroy Stagger and Evan Phillips being recorded as I type this.  Easton shared some updates on his latest offerings with OEB for what is sure to be a busy trip through Austin.

 

Much of SXSW showcasers are new artists looking to ‘break out’.  As a veteran of the conference, how has SXSW changed for you as you move along in your career?  

It’s a reunion of sorts for sure.  Basically, I’m coming down to celebrate a body of work already completed (Before The Revolution, on New West) and also show that I have a new record coming out, and that I’m working with Megan Palmer (violin) in a side project called Out Of Our Tree, who will be playing a few parties.

 

Your songs range from quiet, acoustic material to gritty burners.  What draws you to both sides of this musical spectrum?  

It’s all rock and roll right?  Most folks that I admire do both.  The Beatles, The Stones…they had beautiful acoustic ballads and also heavy rocking tunes.  It’s nothing new but I can see how it might confuse some people.  Basically, I’m a folky at heart, but I want to play that rock and roll too of course.  It’s tough to afford a band on the road, however, so luckily I can do both.

 

What’s the latest on your project with Evan Phillips and Leeroy Stagger (ESP)?  Given your close connection established with fans through your journal on your website, how has the Kickstarter campaign been going? 

I’m writing you from Leeroy’s couch in Lethbridge, Alberta.  We started our new album today.  Thanks to Kickstarter, this new album with Leeroy and Evan is going to be made.  We’ve got some great songs to record over the next ten days.

 

What’s on deck for you at SXSW this year?  Is there any new solo material in the works and what direction has your songwriting been facing lately?  

I’d like to have a trio with upright bass, or it could be Megan Palmer(violin) and I as a duo.  

Most certainly there are new songs.  I brought six new ones for the ESP sessions but we’ll narrow that down to three probably.  I live in Nashville now everybody from your mailman to your barista is writing tunes.  You gotta keep up, so I’m writing all the time now.  Short stories too.  With songs, I have been all over the place.  Folky stuff and some traditional country-or bluegrass, as well.  I’ve been trying to simplify my songwriting and go the Woody Guthrie route.  

 

What you had an opportunity to check out the SXSW band list?  Any artists you are excited to catch yourself?   

I actually only know of all the Nashville bands that are going.  Caitlin Rose is great.  As is Denny and The Jets.  I’m more excited to see a band that I’ve never heard of before that is going to blow my mind and inspire me to work harder.  I don’t go down to hang with the same scene every year, although we manage to cross paths.

November 25th, 2012

Tim Easton – “Hwy 62 Love Songs”


Pairs Well With…Ryan Adams, Bruce Springsteen, Bob Dylan


Veteran singer-songwriter Tim Easton has done his rounds at SXSW before and will appear this year hopefully with some new material in tow.  His last run through Austin in 2011 was in support of his seventh record Since 1966 Volume 1, where we were originally exposed to the eclectic musician. 

2011 Review: a singer-songwriter from Joshua Tree, CA who embraces blues based rock and roll.  Tim Easton is a bit of a musical chameleon, moving from muted acoustic material to heavier rock material album-by-album.  He a bit like Ryan Adams in that aspect, but Tim goes for a much grittier and raw sound with more a connection to the traditional aspect of his music.  He’s one of the more veteran acts at SXSW, releasing 6 full-length albums since 1998.  I imagine he’ll be playing some new music at SXSW as he releases his latest offering, Since 1966, in 2011.  What I like about Tim Easton is how no matter what genre he is currently mining, his music is always really solid, incorporating nice melodies and driving rock and roll.

SXSW 2013 Spreadsheet 7:

This evening’s set ranges from quiet folk to powerful alternative rock.  Highlights:

Tim Easton (7): Tim Easton is a bit of a musical chameleon, moving from muted acoustic material to heavier rock material album-by-album. 
The Dunwells (6) – The Dunwells come from the recent British-Americana birthing, committing to catchy and likeable pop songs just as much as traditional roots.
Funeral Suits (6) – Funeral Suits first made their run through SXSW in 2011, but they have since progressed to release their first LP Lily of the Valley, a strong mix of alternative and indie rock with a twist of Celtic edge.
Dusted (5) – Dusted is duo of Holy Fuck’s Brian Borcherdt and Final Fantasy’s Leon Taheny, in which they explore airy vocals, minimal instrumentation and even a genuine pop song in “Into the Atmosphere”.
Fear of Men (5) – UK indie pop outfit Fear of Men take influence from surf rock, lo fi pop and minimal indie rock for a hypnotic tone that still anchors itself around traditional song structures.

SXSW 2013 Spreadsheet 7:


This evening’s set ranges from quiet folk to powerful alternative rock.  Highlights:


Tim Easton (7): Tim Easton is a bit of a musical chameleon, moving from muted acoustic material to heavier rock material album-by-album. 

The Dunwells (6) – The Dunwells come from the recent British-Americana birthing, committing to catchy and likeable pop songs just as much as traditional roots.

Funeral Suits (6) – Funeral Suits first made their run through SXSW in 2011, but they have since progressed to release their first LP Lily of the Valley, a strong mix of alternative and indie rock with a twist of Celtic edge.

Dusted (5) – Dusted is duo of Holy Fuck’s Brian Borcherdt and Final Fantasy’s Leon Taheny, in which they explore airy vocals, minimal instrumentation and even a genuine pop song in “Into the Atmosphere”.

Fear of Men (5) – UK indie pop outfit Fear of Men take influence from surf rock, lo fi pop and minimal indie rock for a hypnotic tone that still anchors itself around traditional song structures.

SXSW Spreadsheet 103 - Somewhat light set.  Highlights:
Tim Easton – a singer-songwriter from Joshua Tree, CA who embraces blues based rock and roll.  Tim Easton is a bit of a musical chameleon, moving from muted acoustic material to heavier rock material album-by-album.  He a bit like Ryan Adams in that aspect, but Tim goes for a much grittier and raw sound with more a connection to the traditional aspect of his music.  He’s one of the more veteran acts at SXSW, releasing 6 full length albums since 1998.  I imagine he’ll be playing some new music at SXSW as he releases his latest offering, Since 1966, in 2011.  What I like about Tim Easton is how no matter what genre he is currently mining, his music is always really solid, incorporating nice melodies and driving rock and roll.
Tigers That Talked - an alternative indie rock band from Leed, England with a Arcade Fire-like musical direction.
Tizzy Bac - piano-based spacey rock from Taipai, Taiwan with a mix of English and Taiwanese influences.
Timbuktu - a hip hop artist from Toronto with an eclectic and funky style.
Tokyo Sex Destruction - an indie rock band from Madrid, Spain with a poppy and polished sound.
Toubab Krewe - an instrumental rock jam band with blues and world influences from Asheville, NC.

SXSW Spreadsheet 103 - Somewhat light set.  Highlights:

Tim Easton – a singer-songwriter from Joshua Tree, CA who embraces blues based rock and roll.  Tim Easton is a bit of a musical chameleon, moving from muted acoustic material to heavier rock material album-by-album.  He a bit like Ryan Adams in that aspect, but Tim goes for a much grittier and raw sound with more a connection to the traditional aspect of his music.  He’s one of the more veteran acts at SXSW, releasing 6 full length albums since 1998.  I imagine he’ll be playing some new music at SXSW as he releases his latest offering, Since 1966, in 2011.  What I like about Tim Easton is how no matter what genre he is currently mining, his music is always really solid, incorporating nice melodies and driving rock and roll.

Tigers That Talked - an alternative indie rock band from Leed, England with a Arcade Fire-like musical direction.

Tizzy Bac - piano-based spacey rock from Taipai, Taiwan with a mix of English and Taiwanese influences.

Timbuktu - a hip hop artist from Toronto with an eclectic and funky style.

Tokyo Sex Destruction - an indie rock band from Madrid, Spain with a poppy and polished sound.

Toubab Krewe - an instrumental rock jam band with blues and world influences from Asheville, NC.